In the shadow of empires, an epic saga of ambition and desire! Only 100 copies of this faux-leatherbound limited edition Hillfolk exist. 50 are available to customers in the U.S. and Canada, and 50 are available to customers outside the U.S. and Canada. The books are faux leather with foil, and each one includes a sticky-backed bookplate signed […]
Category Archives: Hillfolk
Some of the most powerful roleplaying experiences I’ve ever had have come from running DramaSystem games. Starting with the Hillfolk roleplaying game, and continuing with Blood on the Snow and Series Pitch of the Month, DramaSystem offers a wealth of setting options for players to inhabit, and create compelling stories of interpersonal conflict and emotional […]
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In my last Page XX column I promised a rule for a rare instance of procedural resolution. This occurs when the caller of the scene wants to be surprised by the outcome of an external event. I admit to being surprised that people want this, but it turns out that a few groups do. It […]
Some Hillfolk players report cognitive dissonance over an edge case in the game’s procedural resolution system. Success in a standard procedural scene with the players on one side and the GM on the other depends on matching a target card. When the GM spends a green procedural token, at least one of the player’s cards […]
In a world where it’s impossible to watch enough great TV shows to declare any of them the greatest TV show now in production, I’m still gonna call “Better Call Saul” one of the best shows going. (And I still haven’t made it all the way through “Breaking Bad”, which might suggest some kind of […]
Although DramaSystem, the rules engine underlying Hillfolk, builds game sessions that feel like episodes of serialized TV dramas, differences between the two mediums do sometimes lead to somewhat different results. One device you see all the time in TV shows rarely appears in DramaSystem. Very often on a TV show the writers emphasize the emotional […]
In Hillfolk the GM acts as the custodian of the overall narrative. You mostly do this when calling your own scenes. You use these to heighten tensions, add new fresh developments, and picking up previous ones that got dropped along the way. Less evidently, you can also intervene during player scenes. This requires utmost subtlety. […]
[Editor’s note: the Malandros Kickstarter ended on 20th November 2015] Malandros is a tabletop roleplaying game based on the award-winning DramaSystem rules engine created by Robin Laws. Like its predecessor Hillfolk, it’s a game of personal struggles and interpersonal drama. Making a new DramaSystem game like this is possible thanks to the generous backers of the […]
When I start a new series, I always intend to keep it separate from the last one. Certain factors inevitably continue from one game to the next. At the top of this list appear the habits of individual players in creating and portraying their characters. The way any two players tend to riff off one […]
In my recent piece on the necessity of kicking out incorrigibly disruptive players, I briefly mentioned geek culture’s fear of ostracizing behavior. JS3’s comment on the post has me wanting to consider that in a little more depth. The idea that geeks don’t separate themselves from fellow members of the sub-culture due to their own […]