Eyes of the Stone Thief, the megadungeon campaign for 13th Age Roleplaying Game, is now available to pre-order! Order your copy here and you can download the PDF immediately.
If your ongoing 13th Age campaign doesn’t have a place for a gigantic megadungeon like the Stone Thief (listen! Can you hear its plaintive earthquake-like whimpering as it begs you to let it rampage through your game?), then the thing to do is get out your shiny +3 Axe of Book Dismemberment and chop the dungeon into its constituent parts. With a few choice hacks and a little sewing of plot threads, the Stone Thief’s thirteen interconnected levels become thirteen regular dungeons suitable for an evening’s delving.
The Maw, together with the Gizzard, are actually the two hardest levels to convert – they’re both tied to the Stone Thief’s schtick of eating bits of the surface world, which doesn’t translate neatly to a stand-alone dungeon.
For the Maw, drop the Chasm encounter entirely, so the players have to enter via the Front Door. They make their way down past the Ghouls and Spear-Fishing Bridge as normal (optionally, sub in a standard fight scene for the Goblins). Leave the Stolen Palace as a cryptic side quest, then have the Doorkeeper’s door open onto the Gates of the Stone Thief, so the PCs have to surf down a landslide of rubble (that runs under the Spear-Fishing Bridge) to get to a final encounter of your design. Maybe…
- it’s the lair of an orc shaman with elemental earth powers (explaining the churning landslide, and the orcs)
- A natural gate to the plane of elemental earth has opened, and must be sealed before it turns half the world to stone
- A swarm of monstrous subterranean beetles are digging their way to the surface, and the hive queen must be slain before they undermine the city. The orcs and ghouls are opportunistic scavengers, drawn by the anticipation of carnage.
The Gauntlet’s easy to convert. Drop the Giant’s Causeway and the Belfry encounters, and you’re left with a killer dungeon in the ruins of an ancient dwarven temple to the gods of the forge. The objective of the dungeon is to recover Grommar’s sword from the body of the fearsome minotaur who killed the dwarf master-smith. The party enter by the Falling Stairs… and well, if they survive the traps and trials of the Gauntlet, they deserve a death-slaying sword. You can reskin the Mad Butcher as Grommar’s vengeful & insane ghost if you want to make the place even more dangerous.
- Grommar’s buried library contains some fabulous treasure, or lost secret of the dwarven smiths that must be recovered
- It’s a race against another party of rival adventurers to get through the Gauntlet and recover the sword
- The Gauntlet is a prison used by the Dwarf King to punish those who have really offended him
- It’s a competitive dungeon-arena under Axis where teams of adventurers race to complete the course as swiftly as they can
The Gizzard best pulled apart for parts. You can use Jawgate and the Slaver Camp as part of some other orc-themed saga. The Halls of Ruins and the Gizzard chamber itself could be presented as a weird dungeon where a crazed wizard, the Architect, tries to build a patchwork city out of the ruins of past Ages – the Stone Thief writ small, effectively.
The Ossuary’s a self-contained crypt dungeon, and requires next to no changes. You might wish to rewrite the imprisoned Gravekeeper as another undead – maybe the Gravekeeper is an emissary of the Lich King, charged with protecting this ancient tomb complex, and the Flesh Tailor is an arrogant, upstart necromancer who’s taken over and is endangering the balance between the living and the dead.
- The Flesh Tailor can be a recurring villain in your campaign – start off with the PCs encountering his masked undead spies, then they track the necromancer down to his lair and slay him – and only then does he come back in his augmented undead form.
- Move the Ossuary to Necropolis, and you’ve got a tale of intrigue and body-snatching among the nobles of the Undying Peerage, where the Flesh Tailor stole the palace of the Gravekeeper.
Dungeon Town is best pulled out of the dungeon entirely. Reimagine it as a settlement of castaways and survivors – maybe they’re shipwrecked on a monster-haunted island, or trapped on a flying realm, or on the back of a Koru Behemoth, or stuck in some extradimensional plane. The Wild Caves become the perilous landscape just outside this little fortified community of survivors.
If you’re making Dungeon Town the centre of an adventure, then you may wish to make the Provost into more of a villain – perhaps recast him as the Jailor, who deliberately trapped the other survivors here for some mysterious purpose.
- You can drop Dungeon Town into some other dungeon of your design. Maybe the people aren’t trapped – they’re drawn to the dungeon by the promise of wealth (the dungeon’s a gold mine) or power (it’s a well-spring of magical energy, or youth, or it boosts spellcasting ability) or devotion (it’s a temple taken over by monsters, or a holy site).
- Alternatively, rework Dungeon Town as a criminal stronghold – a thieves’ city underneath Glitterhaegen, perhaps, or a pirate port out in the Spray.
Drop the “sunken” part, and you’ve got a perilous archipelago of mystery instead of a flooded cave network. Swordapus, the sahuagin and their demonic temple don’t need to be changed at all; neither does the wreck of the White Dragon. The Lonely Tower gets teleported here by accident instead of being eaten by the dungeon. The biggest change is to the Cascade – obviously, it doesn’t lead to an exit from the dungeon or to a control room, so you’ll want to put something else at the bottom of that slippery staircase. Maybe:
- It’s an arcane version of the Bermuda Triangle, and the magical relic at the bottom of the Cascade is what draws all those ships to their doom.
- It’s a magical lighthouse, built by a former Archmage, and it needs to be relit to re-establish his spells to tame the Middle Sea (or, if the PCs are allies of the High Druid or some villanous icon, it needs to be quenched to free the wild waters).
There are two obvious ways to approach this dungeon – make the Elf Tree the centre of events, or put the Breeding Ground as the core encounter. (Or make it into two separate adventures!) If you make the Elf Tree the main encounter, then clearly the High Elves tampered with Things Men (And Elves Too) Were Not Meant To Know, and the Breeding Ground is a hideous magical accident that can only be stopped by closing the magical portal in the observatory. In this set-up, move the Elf Tree so it’s in the centre of the Grove.
If you want to make the Breeding Ground central, then obviously it’s the rest of some evil druid’s machinations, or demonic perversion of natural magic, or the Crusader trying to turn druid magic against demons – whatever works for your campaign. The monsters from the Breeding Ground drove the Elves out of their tree.
When converting the Grove to a stand-alone dungeon, drop The Castle With Your Name On It encounter, and make the Herbarium less of a mysterious ruin – turn it into a ruined Elf stronghold, or a druidic temple. Hag Pheig can be left unchanged, or cast as the villain of the dungeon. Maybe she’s trying to gain control of the Druid Circle, and the horrors of the Breeding Ground are her sins made manifest.
Drop the Secret Sanctum encounter, and describe Deep Keep as a captured fortress instead of a weird patchwork castle, and you’ve got the front lines of the Orc Lord’s armies. They’ve taken an Imperial fortress and enslaved the population – now you’ve got to take out their leaders and organise an uprising against the invaders!
Take the Giant’s Causeway from the Gauntlet, and Jawgate and the Slaver’s Camp from the Gizzard, and use them as encounters on the way to the castle. Replace the Vizier with some other evil advisor – who’s the Orc Lord working with in your campaign?
- If you want to keep the deep, so to speak, then make it a subterranean dwarf fortress
- Introduce a different divide between the orc factions – maybe Grimtusk’s followers want more loot, while Greyface’s are all about honourable conflict. Alternatively, perhaps Greyface is secretly possessed by the ghost of the former lord of the castle, and that’s why he’s willing to rebel against his warlord.
In the Eyes of the Stone Thief campaign, the Maddening Stairs sets up lots of plots related to the Cult of the Devourer and the ultimate fate of the dungeon. If you’re using it as a standalone adventure, then you’ll need to give Chryaxas and Ajura the Dreamer and Maeglor the Apostate something else to pontificate about. Perhaps the Alabaster Sentinel is an Icon from a previous age, an avatar of justice that once brought unyielding, merciless law to the lands until it fell into this pit and became trapped. Maeglor seeks to restore order to the Dragon Empire by resurrecting the sentinel – Chryaxas argues the case for fruitful chaos and freedom, while Ajura might want to trick the PCs into stopping Maeglor, or perhaps she believes that the resurrected Sentinel will bring about the end of the Age when it decides that the Archmage is too unpredictable to be tolerated.
- You can also use the Maddening Stairs as a perilous journey – maybe it’s the stairs into Hell, or up to a flying realm in the Overworld
Pit of Undigested Ages
The Pit really doesn’t lend itself to conversion into a stand-alone dungeon. By its very nature, it’s an eclectic collection of weird places from across history. Don’t even try to come up with a linking story – instead, use each encounter on its own. That gives you a buried dwarven treasury, a lost temple of the serpent folk, the ruins of a magical library and a gnoll death cult. The First Master is probably too closely tied to the Cult of the Devourer to make sense on his own, so take him out and drop him into the Onyx Catacombs instead.
- The dwarven treasury fell into the Underworld during an Age-ending cataclysm. Finding it requires descending into the lightless tunnels and battling past hordes of eyeless monsters.
- The temple of the serpent folk is somewhere within the jungles of the Fangs; the Black seeks it, with the intent of stealing the primordial magic of the serpents and adding it to her own arsenal.
- Quillgate was protected by magical wards; when the quake struck, it vanished from this world. It’s out there, somewhere, in the planes of existence. Step into the Archmage’s Faultless And Unerring Dimensional Projector – it’s sure to work this time…
- And it’s well known that only the Hellpike can slay certain powerful demons. If one of those infernal lords rises to threaten the Empire, then the Hellpike must be found, and found soon
Marblehall’s best used as the result of a magical experiment gone wrong. Instead of getting embedded in the Stone Thief, it’s…
- Adrift in the skies as the newest flying realm
- Turning into a Hellhole
- Spouting elementals
- About to become a Living Dungeon in its own right
Whatever happened, the Witch and her weird experiments are too blame. Can the adventures save the Artalin family from their own wayward daughter?
If you take the cult out of the dungeon, then you should also take the dungeon out of the cult. Instead of being a bunch of dungeon-worshipping apocalyptic lunatics, make the Cult of the Devourer into a bunch of <insert-dire-noun>-worshipping apocalyptic lunatics, and redecorate their hidden city to match. Maybe they’re demon cultists, or shadow cultists, or wolf cultists, or poison cultists, or tentacled alien god cultists, or discordant-music-that-ends-the-world cultists. Turn their dungeon level into a mysterious lost temple in the depths of the jungle, or in a dimensional fold, or across the wastes of the Moonwreck, and you’re good to go.
Heart of the Stone Thief
Like the Pit, this level’s too tied to the concept of the Living Dungeon to make sense as a stand-alone adventure, so it’s best stripped for parts. I’m sure your campaign can find a loving home for a volcano, a crypt of undead adventurers, or a fabulous treasury of epic-level wonders…
13th Age answers the question, “What if Rob Heinsoo and Jonathan Tweet, lead designers of the 3rd and 4th editions of the World’s Oldest RPG, had free rein to make the d20-rolling game they most wanted to play?” Create truly unique characters with rich backgrounds, prepare adventures in minutes, easily build your own custom monsters, and enjoy fast, freewheeling battles full of unexpected twists. Purchase 13th Age in print and PDF at the Pelgrane Shop.
Double Tap introduced the concept of video-game-style Achievements into Night’s Black Agents (Will Plant’s original is here, but Double Tap‘s list is bigger, better and has more bonuses for blowing things up.) As the Dracula Dossier consumes my every waking hour, and I start to see connections to the Mas… to Dracula everywhere, here’s a list of custom achievements for the upcoming campaign. As per the rules in Double Tap, the first player to qualify for an achievement gets a 3-point General Ability refresh on the spot.
I Am Dazzle, Dazzle With So Much Light: Read the entire Unredacted Dracula and all the annotations, and pick your next avenue of investigation from it.
Blood of my Blood: Identify a Legacy.
The Fighting Hellfish: Have a shootout in a retirement home.
Right At The Top Of The Circus: Infiltrate the SIS headquarters.
Epistolary Format: Communicate with another player character by letter, email or voicemail.
Victorian Technothriller: Use a photographic-plate camera or wax-cylinder phonograph to record vital information.
Done The Reading: Force an NPC to tell them what they know by leveraging information gleaned from the annotations.
Dr. Van Helsing, I presume: Find documents left by the original hunters.
Native Soil: Locate Dracula’s castle successfully (not as easy as it sounds…)
London’s Burning: Gain 6 or more Heat in a single session in London.
The Boxmen: Destroy one of Dracula’s boxes of earth.
Those You Love Are Mine: Rescue a contact or Solace from Dracula’s evil embrace.
Unclean, Unclean: Get bitten by Dracula or one of his Brides.
Was That Your Best Shot? Survive level 6 of the Edom Vampyramid.
Consequence To Make The Brave Shudder: Survive Level 6 of Dracula’s Vampyramid
It Was Worth It For This To Die! Die fighting Dracula himself.
For The Dead Travel Fast: Complete the campaign in six sessions or less.
The Longest Night: Start playing the Dracula Dossier. Find any of the connections to the Zalozhniy Quartet, follow that connection, play through the four adventures of the Quartet, foil the conspiracy there, then finally complete the Dracula Dossier campaign.
We’ve got a few more achievements, but they’re for Directors’ eyes only. Enter these semi-spoilers freely and of your own will.
Once is an accident. Twice is coincidence. Three times is enemy action – at least, according to the apocryphal Moscow Rules.
Our kickstarter for the Dracula Dossier was due to launch on October 17th. That target was, perhaps, overly ambitious. While we’d completed the draft of the Director’s Handbook – the mammoth compendium of conspiracies, connections, criminals and, um, carotid-craving critters – by then, it took longer than we planned to put together all the other assets.
Like the gorgeous draft layout.
Like the mock-up of the still-in-progress Dracula Unredacted novel, complete with its annotations by three generations of MI6 analysts.
The pitch videos.
The second, considerably more relaxed takes for the pitch videos. (There are reasons why writers rarely crave the spotlight!)
The draft covers for both books, by Dennis Detwiller and Jerome Hugenin.
The map of Europe, so we can track the progress of Mina Harker and Van Helsing in our little game within the kickstarter.
And, of course, all the behind-the-scenes juggling of numbers and stretch goals and pledge levels, so we can deliver the best possible books at the most affordable price while not diving the Pelgrane off a financial cliff. A well-executed kickstarter is a wondrous thing; a badly-planned or unlucky one can become a hellish millstone.
So, the 17th didn’t happen. But the 31st of October! All Hallow’s Eve, a night to conjure with! A night, no doubt when blue flames blaze above hidden graves and treasure troves in Transyvania, a night when spies skulk down alleyways in London and Bucharest, a night of terror and magic and…
… a night when the Pelgrane internet connection went mysteriously offline.
(Actually, it was the day before, but this makes for a better story).
Co-incidence, you say. A mere glitch. You may be right.
Our new official launch date for the Dracula Dossier kickstarter is
If it doesn’t launch on that day, we must discard both accident and co-incidence as possibilities, leaving only enemy action as the only explanation – and if that’s the case, then run, because we’ll already be dead and you know too much already, so HE will be on your trail too.
So pray, gentle reader, that the kickstarter launches on Monday. Tell your friends. Better yet, tell your enemies – maybe they’ll slow Dracula down when he goes hunting.
Continuing Ken’s theme of looting 13th Age for GUMSHOE twists, let’s talk about monsters. In 13th Age, monsters have a sort of rudimentary AI – instead of the GM deciding to use their special abilities in advance, they’re triggered by the result of the attack roll. So, for example, if a ghoul gets a natural even hit, it gets to make its target vulnerable. If a frost giant rolls a 16 or higher when attacking, it also gets to freeze its foe.
For example, here’s a basic human thug:
13th Age Human Thug
1st Level troop [Humanoid]
Heavy Mace +5 vs AC – 4 damage
Natural even hit or miss: The thug deals +6 damage with its next attack this battle. (GM, be sure to let the PCs know this is coming; it’s not a secret.)
PD14 HP 27
Automating monsters like that makes the GM’s life easier. Instead of having to make decisions before rolling the dice, the GM can just attack and let the triggered abilities make the fight more interesting and complex. The thugs, for example, encourage the player characters to focus their fire or dodge away from the ones who have extra damage lined up for next round. Some of the work of making the monster cool gets shifted from the actual play part of the game to pre-game preparation, leaving the GM free to concentrate on evocative descriptions. tactics and other immediate concerns. (Triggered powers can also surprise the GM, which is always fun.)
GUMSHOE monsters and foes have a limited number of points to spend on their attacks, possibly mediated by an attack pattern. While the attack pattern does take some of the heavy lifting away, the GM still has to make decisions about when to spend the bad guy’s ability pools. Let’s try taking away as much resource management as possible from the GM. For general abilities, for every 4 points a creature has in its pool, give it a +1 bonus, to a maximum of +3, and modelling special abilities as special-case rules or powers triggered by a dice roll instead of the GM having to make a choice. Health, obviously, is unchanged.
Obviously, GUMSHOE’s smaller range of random results means that you’ll have to be a little more restrained when it comes to special powers – there’s a big difference between a power that triggers on a natural 20 in 13th Age and a natural 6 in GUMSHOE. Possible triggers for powers include:
- Natural even or odd rolls – good for alternate attacks or special effects
- Natural 1s or 6s
- 5s & 6s – generically ‘good rolls’, useful for foes that have a chance of doing extra damage or inflicting some special condition, like stunning or knocking prone
- Health reaches a certain threshold – perfect for countdown mechanics, where the fie gets nastier towards the end of the fight
- The attacking player character has no points left in a pool – if you’re out of Shooting, the alien monster breaks from cover and rushes towards yo
You can also have a power be limited to a certain number of uses – a ghoul in Night’s Black Agents might get an extra attack on the first three times it rolls a natural 6, but no more.
All these rules are just for monsters and NPCs – player characters still get to juggle points and manage their resources as per the standard GUMSHOE rules.
Esoterrorist Security Guard
General Abilities: Scuffling +1, Shooting +2,
Hit Threshold: 3
Alertness Modifier: +1
Stealth Modifier: +0
Damage Modifier: +0 (Pistol), -1 (nightstick)
Freeze!: +2 bonus to Shooting in the first round of combat if the security guard isn’t surprised.
Natural 1: The guard calls for backup. If help’s available, it’ll arrive in the next few minutes. The guard misses his next attack. Treat further natural 1s as simple misses.
Night’s Black Agents Thug (pg. 70)
General abilities: Athletics +2, Driving +1, Hand to Hand +2, Shooting +1, Weapons +2
Hit Threshold: 3
Alertness Modifier: +0
Stealth Modifier: -1
Damage Modifier: -2 (fist), +0 (club), +1 (9mm pistol)
Wall of Fire: If three or more thugs shoot at the same target, the last thug gets +1 Shooting
Gang Assault: If three or more thugs attack the same target with Hand to Hand or Weapons, they all get +1 damage.
Night’s Black Agents Bodyguard (pg. 69)
General abilities: Athletics +3, Driving +2, Hand to Hand +3, Medic +1, Shooting +2, Weapons +2
Hit Threshold: 3
Alertness Modifier: +2
Stealth Modifier: -0
Damage Modifier: -2 (fist), -1 (flexible baton), +1 (9mm pistol)
Armor: -1 vs bullets
Protect the Principal: On a natural 5 or 6 when making an Athletics, Driving or Shooting test, the Hit Threshold of whoever the bodyguard’s guarding increases by +2 for the rest of the round.
Stunning Blow: On a natural 6 when making a Hand to Hand attack, the target loses their next action unless they spend 3 Health or Athletics.
Ashen Stars All-Shredder Klorn
General abilities: Athletics +3, Scuffling +3
Hit Threshold: 3
Alertness Modifier: +2
Stealth Modifier: -3
Damage Modifier: +6
Natural Even Roll: +2 bonus to Scuffling
Natural Odd Roll: Smash! The klorn destroys some obstacle or object nearby – it breaks through a wall, kicks over a computer console, smashes its spiked tail through the engine coolant tanks, knocks over a nearby ground car or something equally cinematic.
Natural 6: The klorn’s target is impaled on its spear-teeth; +4 bonus damage
Frenzy: When the klorn’s reduced to 10 or less Health, it immediately makes a free Scuffling attack on the nearest foe.
Special: Refreshes health pool when struck by non-lethal disruption fire
The action in the original Dracula novel takes place in a handful of locations – Transylvania, Whitby, London, and then back again. The Dracula Dossier expands the reach of the vampire count, and brings in the globe-trotting vampire-hunting action one expects in a Night’s Black Agents campaign. England and Romania – Edom and Dracula – are the two poles around which conspiratorial currents flow, but your agents might find themselves taking the occasional unexpected detour. In my own playtest campaign, the team ended up blowing up a large chunk of Tmogvi Castle in Georgia, and the annotated novel points at several other sites of potential interest overseas, like:
A jaunt to South America can be a fun change of setting if your players tire of interrogating old spies in England and running around haunted castles in Romania. Several clues point towards Argentina:
- Quincey Morris travelled here extensively, sometimes accompanied by Jack Seward and Arthur Holmwood (ANNOT XX, ANNOT XX)
- The former Gehlen Org officer (p.XX) might talk about Nazi scientists or Iron Guard members who escaped to South America.
- Many of the ratlines that brought Nazis out of Germany were organized by priests within the Catholic church; suppressed records in the Vatican (or maybe in the Fortified Monastery of St. Peter, p. XX) describe attempts by the church to use ex-Nazis to fight the spread of Communism. (Rather like, one might say, Edom’s plan to use Dracula to fight the Nazis, and about equally well thought out).
If a side trip to South American doesn’t fit with your campaign, work this material into a flashback or an account given by a Network contact or as part of interrogating an Edom operative or Conspiracy minion.
Cool: An old dirt track rises into the mountains of Patagonia, in the Malargüe region. The air grows thin as you ascend, and the pampas spread out beneath and behind you under the open skies of Argentina. The locals spoke of an old mine – some say it was a military base – now abandoned in these hills. After a long search, you find what remains– a few lonely huts, overgrown and rusted. Exploring, you find scientific notes written in German. They were studying the bats that live in the great caverna de las Brujas cave system that extends under these hills, as well as seismic activity. As far as you can gather, their work began here in 1946, but was suddenly abandoned in 1967. As dusk draws in, thousands of bats emerge from fissures in the mountainside and wheel above you, following some course or signal you cannot discern.
Warm: The Malargüe camp’s still in use. Take your pick from:
- A colony of Nazis, either the descendants of the original fugitives, or immortal Nazi Renfields, or weird science-dhampirs created from genetically modified bats. They might possess secrets about the nature of vampirism – or be psychically controlled from afar by Dracula.
- A secret American research facility, or even a Guantanamo Bay for vampires. If Quincey Morris was an American asset back in 1894 (p. XX), he’s the patron saint of this facility. They may have used Nazi researchers obtained via Operation Paperclip to further their research into vampirism, and recruited fugitive Edom agents who got burned by the ’77 mole hunt.
- An Edom research facility – as above, only a little shabbier and the guards have slightly smaller guns and drink more tea. Drawes (p. XX) or Fort (p. XX) might be present at the facility.
- A Conspiracy-run mine and/or vampire cult, established by Julius Popper. Popper was a Bucharest-born explorer and engineer who became involved in the Tierra del Fuego gold rush in 1884. His expedition to find gold grew into a private army that participated the genocide of the native people. He was hugely wealthy when he died mysteriously in Buenos Aires at the age of 35 in 1893. Clearly, he was one of Dracula’s agents, and his money was funneled back to Romania to add to the Count’s coffers of ancient coins. Was Quincey Morris responsible for his death, or did Popper rise again as a vampire?
Connections: Research notes mention work done by Van Helsing and give his former address in Amsterdam (p. XX). Tracing gold from the mine with Accounting tracks it to the KBExportbank (p. XX). Carmina Rojas (p. XX) might turn up here – either as a guide, or to get the agents out of a jam, or maybe she’s actually running the show.
The Dracula Dossier – coming soon to Kickstarter.
Coming to you live…
Well, obviously not live live – while I may be writing this from a hotel room in Indianapolis, it won’t be up on the Pelgrane site for a week. And for that matter, I’m hardly alive either, after the arguably best but very definitely longest four days in gaming.
Let us start again. That seems to be a wise move.
I ran two or three 13th Age demos each day of GenCon, using pregenerated characters that had basic mechanics but no Icon, backgrounds or OUTs, and a very simple intro scenario that can be summarised as “something bad is happening in Glitterhaegen that is neatly resolved in an hour with two quick fight scenes and a skill roll”. While all the demos (bar one) followed that basic story, bringing in elements from the players’ contributions meant every game felt radically different.
I’ll use the last demo I ran, late on the Sunday afternoon as an example. Even though five people had signed up, only one actually showed (every other demo had between three and six players) – a lovely chap named Edgar, and I hope he doesn’t mind being used in this article. With only one player, Edgar asked for a halfling rogue pregen, so after running through the basic mechanics, we started on what makes 13th Age different from other F20 games and such a joy to run.
I gave all the demo characters a 1-point Positive relationship with the Emperor, mainly so I could use “you’re all working for the Emperor” as a fallback story if nothing else suggested itself. I then showed Edgar the full list of Icons, and asked him to pick one more.
Negative with the Elf Queen, says he, picking an unexpected Icon relationship. I asked him to go into a little more detail on this, and he describes how he was the only thief to successfully steal from the Queen’s court, coming up with his One Unique Thing at the same time.
I told him to leave Backgrounds blank for now – in a one-shot demo, or even in a campaign for that matter, it’s often more fun to fill in backgrounds when they’re needed in play. As there was only one player, I added a GMPC, a half-elf paladin of the Crusader (OUT: On Fire).
I had three different variations of my simple little plot based around three different Icons – a soul-stealing merchant for the Diabolist, a grave-robbing necromancer for the Lich King, and a pirate plotting to take advantage of an impending Orc Lord attack. I could have just said “because you’re servants of the Emperor, you’re called upon to help Glitterhaegen” and introduced any of the three variations or used my GMPC paladin’s Crusader relationship to bring the PCs in to investigate the soul thief, but instead I changed ‘Orc Lord invasion’ to ‘demonic elves out of the Bitterwood’ and brought in Edgar’s antipathy towards the Elf Queen. I always try to tie plots to the player characters; even if the connection is a bit tenuous, it’s worth it to be able to go “because of this thing about you, in particular, you’re involved in this adventure.”
Next, we rolled Icon relationships; Edgar’s Emperor came up with a 6, and I gave him a belt of the city (from the Book of Loot) to help with the investigation.
Actual play time! I described how the city was under threat of invasion by dangerous, isolationist elves who considered humans to be usurpers. While the Imperial Legion manned the walls, there were rumours of elven commando units sneaking into the city, and traitors were said to be in league with the elves. The PCs had traced one such traitor to the grand bazaar, a huge, crowded open-air market in Glitterhaegen.
I planned to set my first fight scene in the market. My original notes called for an attack by a band of illusory orcs, but I could use disguised elves just as easily. I then asked Edgar a few questions about the market.
- “The grand bazaar’s dominated by a structure or monument of some sort. What is it?”
- “Something’s happening in the market that’s going to make your investigation harder – what is it?”
By asking these questions after I’d set the initial parameters of the scene, I gave Edgar control over specific details of the scene while retaining overall control. No matter what he came up with, I could still use my attacking elves. It gave him a sense of engagement with the setting, which is great. It also forced me to stay awake and keep thinking on my feet – setting up situations where the GM gets surprised is super valuable, especially when you’re running a bunch of convention demos in a row. If there’s no challenge for the GM, it gets boring and the players pick up on that boredom. Finding tools to keep your own energy and enthusiasm up is a good habit for a GM to cultivate.
I deliberately didn’t ask open-ended questions, like “where do you find the traitor?” Some players freeze when given that much freedom of choice – for that matter, I wouldn’t be completely confident about my ability to improvise a scene that would still work within the constraints of a demo if the player came up with something completely unexpected (“I find the traitor in a dragon’s lair under the city!”).
Edgar proposed a giant statue of a former admiral, blowing a horn, and a street preacher, both of which worked perfectly with my intended plot. I decided that the street preacher was the traitor in disguise, trying to convince people to abandon Glitterhaegen and flee on the waiting ships – which his pirate fleet would then capture and despoil. The giant statue was a great image and focal point for the fight. (Previous demos gave answers like “a huge crystal gazebo”, “a temple to Mammon”, or “an elven graveyard” and “a children’s festival” or “a funeral procession”).
Edgar’s halfling went off to listen to the preacher, so I got to ambush him with my fake demon elves who attacked the gathered crowds. Cue a quick fight scene. I used the orc stats I’d prepared earlier for my elves instead, hastily reskinning them. If any of them had critted, I’d have described their expanded-crit-range ability as a blast of magical hellfire or something suitably infernal.
Afterwards, I didn’t bother to make him to roll to see if his rogue noticed that these elves were common wood elves, not the fabled demon elves that threatened to attack Glitterhaegen. Instead, GUMSHOE-style, I just told him that because of his experience in the elven court (his OUT of “I stole from the Elf Queen”), he recognised these elves for what they were, and he quickly deduced that they were deliberately trying to whip up terror and dismay in the city. The flipside of the ‘fail forward’ principle is that if failure is boring, don’t ask for a roll. He quickly deduced that the elves and the street preacher were in league, and scampered up the statue to confront the traitor.
Instead of attacking, he launched into his own speech, rebutting the traitor’s tales of gloom and doom. I asked Edgar to roll, and he decided to create a background on the spot to give him a bonus. He was, he announced, the former mayor of a Halfling town, and so was experienced in public speaking. Defining backgrounds in play often generates surprising juxtapositions like that – if I’d insisted that he fill in all his backgrounds during the brief character creation phase at the start of the demo instead of leaving them blank, he’d probably have gone for something like “burglar” or “forester” to fit in with his One Unique Thing of having stolen from the Elf Queen, not “ex-mayor”.
Between his not-bad Charisma, his belt of the city, his background and a good roll, Edgar’s Halfling convinced the people of Glitterhaegen to rally to the defence of the city instead of fleeing on board the waiting ships. The frustrated preacher revealed himself to be the treacherous pirate, dropping his act and acquiring an outrageous accent – YARR! – in the process. While my original notes called for the player characters to encounter the traitor on board a ship, a swashbuckling fight on the shoulders and head of a giant statue worked just as well.
Fight scene, players win, demo ends. Huzzah!
One could argue – and in certain moods, I’d agree with this – that 13th Age is a game of two halves. There’s the relatively detailed and balanced combat engine, and the considerably looser and fuzzier story-generating mash of backgrounds, Icons and OUTs. Certainly, in a simple 45-minute demo like this one, I was able to use that divide to my advantage by warping the mutable story-side elements around the player’s choices and answers, while leaving the mechanical side unchanged.
Interestingly, one of the take-aways from the 13th Age adventure design panel seminar was that people preferred using adventures for inspiration and pre-prepared encounters to use in their own games instead of running the adventures as written in the book. While we’re unlikely to go so far as to publish a book that’s half stats, half fuzzy ideas on how to put those stats into context, that flexibility is one strength of 13th Age that we’ll build on as we look towards GenCon 2015.
With Gencon upon us like an amorous gorilla of fun, here are six precepts that have served me well when running games at conventions.
1. Know The Player Characters
The PCs are the players’ interface with your adventure. If there’s one bit of preparation you can never skimp on, it’s the player characters. You don’t need to memorise everything, but you need to remember any key plot hooks or powers that you can use to bring that character into the action. Point out places where a particular PC might use one of their abilities (“hey, your spy has Traffic Analysis, so you can intercept the bad guys’ radio communications and work out their movements”) and things they need to know (“as a Paladin of the Great Gold Wyrm, you probably know someone in the Imperial Legion. You could try tapping them for information”). You can’t rely on the players to volunteer information like they might in a regular campaign game.
2.Go Around The Table
At a table of six, you’re going to have a mix of players – loud ones, quiet ones, shy ones, dominant ones, rules-lovers and people who don’t care what dice they’re rolling, combat monsters and character actors, hardcore fans of the game, and people who wandered in because there was a free spot at your table. It’s easy to fall into the trap of catering to the really enthusiastic, engaged players at the expense of others. So, always go around the table and make sure all the players have the opportunity to get involved in the action. Suggest ways for them to contribute if necessary.
Also, go physically around the table, especially if it’s a noisy room. If you need to have a one-on-one conversation with a player, don’t shout across the table. Get up and walk around to that player if you can.
3. Observe The Rules
Don’t necessarily obey them, mind, but don’t completely ignore them. Many people play convention games to see how a particular rules system plays. They want to see how the game works, especially the elements that are especially thematic or distinctive. For example, you can run an Aliens-inspired bug hunt mission in any science-fiction rpg, and it’s always a good model for a convention game – but show off the distinctive elements of your game of choice in the bug hunt. An Ashen Stars bug hunt might highlight the use of investigative abilities to find a way to escape the remorseless aliens, while a Gaean Reach bug hunt might spend more time talking about how this is a trap set by the hated Quandos Vorn.
4. Beware of Time Dilation
In a four-hour convention slot, you can assume that the first 30-45 minutes are lost to late arrivals, reading character sheets, introductions, trips to the bathroom and/or snack bar and other administrivia, and you should aim to finish up half an hour before the end of the slot, to give yourself a buffer in case scenes overrun, players need to leave early, and to handle any post-game debriefings. That leaves you with a shade under three hours of actual game time. Expect your first few scenes to take much longer than planned, as players struggle to find their character’s voice and role in the group, and to get to grips with the setting. Expect later scenes to go much more quickly than you’d expect, as convention players take bigger risks and make grander gestures than they might in campaign play.
5. Be Prepared!
Character sheets, dice, pencils, scratch paper (enough for you and the players), copy of your scenario, enthusiasm, quick-reference sheets, a rulebook, bottle of water, more dice because the first lot are going to roll under tables and get lost, more enthusiasm. Phone, set to silent. Throat lozenges, because you’re going to be hoarse after running a few games. Get some sleep and eat some real food if you can manage it.
In extremis, enthusiasm may be simulated with sufficient sugar and caffeine.
6. Let the Game Breathe
Part of your role as a convention GM is to make sure that everyone has a good time at your table. Sometimes that means giving the players things to do by throwing interesting NPCs and mysterious and action scenes at them, but it also involves stepping back when the players are having fun just roleplaying their characters or planning their next move. If everyone’s talking animatedly about events in the game, just step back for a moment. This can be hard to do in the heat of the moment, especially with that remorseless clock ticking down towards the end of the slot, but it’ll pay dividends with a good table players.
Even as I write this, the indefatigable Chris Huth toils into the Canadian night, putting the finishing touches to The Book of Loot, our upcoming compendium of new magic items for 13th Age. The book’s crammed full of wonderful treasures and potent creations of sorcery, along with several items that we ourselves call out as utterly unforgivable puns.
Not every item written made it into the book for one reason or another. Some were cut for thematic reasons, others for balance. Here’s one that fell early on, on grounds of complexity. It’s an Epic-tier item associated primarily with the Emperor icon.
Chessboard of the Ages: There is no mistaking this item; the board of onyx and marble, and the gold and ruby playing pieces are described in songs and sagas from previous ages. However, the pieces are subtly different each time – the pawns change to resemble the allies and enemies of the chessboard’s bearer, while the features of the Icons of the Age appear on the other pieces.
When you first take possession of the chessboard, the GM gives the role of your opponent to some rival, ongoing villain or even an enemy Icon (GM: roll relationship dice if you want). Usually, it’s the Lich King or Orc Lord. You have the opening move. Once per battle, you may ‘move’ by activating one of the chess pieces as a free action. Each piece has a different ability. You may use each ability once per piece (so, you can use the pawn power eight times total in your life, most of the other powers twice ever, and the king and queen powers once each). A piece disappears when used.
Unlike most magic items, the chessboard doesn’t have a recharge value. Once you use a power, you can’t activate any of the chess pieces again until your opponent takes a move (or until your opponent voluntarily forfeits the chance to use a power – see the King, below, for why that might be a good option)
The powers possessed by the chess pieces are:
- Pawn: One nearby ally may take an extra standard action in their next turn or heal using a recovery as a free action.
- Rook: Cast teleport (as the wizard spell) to travel to any stronghold or flee from a battle without incurring a campaign loss
- Knight: Gain three paladin talents with all associated feats until the end of a battle or call a legendary hero to aid you for one battle
- Bishop: Cast any one Divine spell of up to ninth level or automatically succeed at any one skill check, no matter the difficulty
- Queen: Either copy the powers of any other chess piece remaining on your board (other than the king) or sacrifice the queen to remove any one piece possessed by your opponent, other than the king.
- King: You may only use the king’s power if you have at least twice as many pieces left as your opponent, and your opponent has suffered a significant defeat in the real world outside the chess game. When you use it, the chess game ends and the chessboard vanishes. However, your opponent is magically compelled to perform one task for you as a forfeit for losing the game. You may specify the task as you wish, and the opponent must obey.
Quirk: You share your opponent’s dreams while playing.
I may be mad – no, I am mad – but I can count. Eight pieces for good, eight for evil, that makes sixteen. But they say there are but thirteen Icons in the Empire. Who are the other three? Or do some play both sides, like the treacherous harlots they are?
– Erach, crazed preacher
13th Age answers the question, “What if Rob Heinsoo and Jonathan Tweet, lead designers of the 3rd and 4th editions of the World’s Oldest RPG, had free rein to make the d20-rolling game they most wanted to play?” Create truly unique characters with rich backgrounds, prepare adventures in minutes, easily build your own custom monsters, and enjoy fast, freewheeling battles full of unexpected twists. Purchase 13th Age in print and PDF at the Pelgrane Shop.
In all GUMSHOE games, there’s a benefit for having 8 rating points in Athletics – your Hit Threshold rises by 1. Night’s Black Agents expanded this to all General Abilities – if you invest eight of your precious build points in a particular ability, you get a cherry, a special ability that shows off your mastery in that field.
So, for your high-octane Pulp games, here’s a bunch of Cthulhuoid cherries that don’t overlap with the various occupation special abilities.
Conceal: Trap Sense
You may spend Conceal when making a Sense Trouble test if the potential threat is a concealed trap or other hidden environmental peril, like an overgrown pit or impending cave-in.
Disguise: Alternate Identity
You’ve established a whole other life for yourself, complete with friends, possessions, documentation – possibly even a home and family. This alternate persona must have a lower Credit Rating than your main identity (unless you’ve been masquerading as someone else since the start of the campaign). A Disguise rating of 8+ gets you one alternate identity; you can purchase more for 4 experience points each).
Driving: Drive-By Shootout
You’re adept at lining up shots for your passengers when they’re shooting out the window. (We won’t ask which mob outfit you were working for when you learned that trick). You may transfer up to 4 Driving points to your passenger’s Firearms pools at the start of a car chase. Unspent points are lost when the chase ends.
Electrical Repair: Alien Insight
Your intuitive understanding of electricity and magnetism gives you an insight into devices far beyond the paltry technology of humanity. You may spend 4 Electrical Repair to activate an alien device, like a Mi-Go brain cylinder or Yithian lightning gun. You only guess at how to turn the thing on, not what it does or how to properly control it.
Explosives: One Last Stick
You can spend Explosive points on Preparedness tests to obtain dynamite or similar explosives.
Filch: Here’s One I Stole Earlier
With a Filch rating of 8+, once per investigation, you may declare you stole something retroactively from a previous scene. You need to get into the mansion’s boathouse to flee the rampaging shoggoth? Well, it just so happens that you picked the groundkeeper’s pockets earlier on, and here’s the very key you need. You still need to make a Filch test to actually acquire whatever you want to unexpectedly produce.
Firearms: Nerves of Steel
Difficulty numbers for your Firearms tests aren’t affected by being Shaken.
First Aid: Sawbones
A First Aid Rating of 8 or more gives 1 free point in either Medicine or Pharmacy, player’s choice.
Once per adventure, when you fail a Fleeing test or are about to be consumed by some other horror, you may declare that you black out. When you wake up, you’re somewhere safe. You have no idea how you escaped or where you are now, and may have dropped items or abandoned fellow investigators to some horrible fate. But you’re alive, and that’s something.
You may attempt to use hypnotism on subjects who aren’t actively willing to be hypnotized. Your subject must still be somewhat open to your influence – you could hypnotize someone that you’re in conversation with, or the doorman at a club, but you couldn’t hypnotize the mugger who’s about to rob you, or the cultist who’s intent on sacrificing you to some alien god. Increase the Difficulty of any hypnotism tests using this ability by +2 (so, putting someone into a trance without their co-operation is Difficulty 5; planting false memories is Difficulty 7).
Mechanical Repair: Give It A Kick
Once per adventure, you may make a Mechanical Repair roll instantly. You could kick a plane’s engine back to life as it falls from the sky, or unjam a machine gun with one solid whack.
Piloting: There’s Always A Plane
Once per adventure, you may ask the Keeper to introduce an aircraft of some description that you can fly with this ability. Maybe it’s your own plane, and you’ve flew out or had it shipped out. Maybe it’s someone else’s aircraft you can borrow, or a crashed plane that’s repairable. Maybe the cultists have a zeppelin-temple. In any event, there’s always a plane nearby that you can use/borrow/steal over the course of the adventure.
Preparedness: Expedition Planning
If you have time to prepare and pack for any sort of expedition, then you bring enough for everyone. When you succeed at a Preparedness test to obtain an item, you may spend one extra point to have one of those items for everyone in the group. For example, if you use Preparedness to declare you’ve got an electric lamp, then you can spend an extra point to give everyone else a similar lamp too.
A Psychoanalysis Rating of 8 or more gives one free point in Reassurance or Assess Honesty (player’s choice).
Riding: Ride the Flying Polyp
You can ride anything, including Mythos mounts like shantaks. Even better, if a creature is introduced to you as a mount and you only use it for riding, then any Stablility losses for seeing the creature are reduced by 2.
Scuffling: The Old One Two
You may make an extra Scuffling attack per round, as long as you hit with your first attack. Your extra attack costs a number of Scuffling points equal to the result of the damage die (so, if you roll a 2, that’s 2 Scuffling points for another swing).
Sense Trouble: Quick Reflexes
If you overspend on a successful Sense Trouble test, you get those points back as a pool that can only be spent on Athletics, Fleeing, Firearms, Scuffling or Weapons tests in the first round of combat or in tests immediately related to the trouble you sensed. The maximum size of this pool is equal to the number of Sense Trouble points spent. For example, say the Difficulty to sense a lurking Deep One is 5. You spend 3 Sense Trouble and roll a 4, for a total of 7, beating the Difficulty by 2. You get 2 points back that you must spend immediately on attacking or escaping the monster.
If you’d rolled a 6, you’d have beaten the Difficulty by 4, but you’d still only get 3 points back.
Shadowing: In Over Your Head
Whenever you have to make a Sense Trouble roll while shadowing someone, you gain 2 points in a pool that can be spent on Evidence Collection, Locksmith, Disguise, Filch or Stealth. You lose any unspent points in this pool when you stop shadowing the target and turn back, or are discovered.
Stealth: Stay Here
As long as someone follows your explicit instructions, they can piggyback (as per the rules on page 57) on your Stealth tests even when you’re not present. So, if you tell a fellow investigator to hide in the undergrowth and keep crawling until they reach the road, they can piggyback on your Stealth tests if they do exactly what you told them to do.
Weapons: Favorite Weapon
Pick your favorite melee weapon. You draw strength and courage from its familiar heft in your hand. Once per adventure, you may gain 4 Stability from drawing or brandishing your weapon. With this sword by your side, there’s nothing you can’t handle.
Trail of Cthulhu is an award-winning 1930s horror roleplaying game by Kenneth Hite, produced under license from Chaosium. Whether you’re playing in two-fisted Pulp mode or sanity-shredding Purist mode, its GUMSHOE system enables taut, thrilling investigative adventures where the challenge is in interpreting clues, not finding them. Purchase Trail of Cthulhu and its many supplements and adventures in the Pelgrane Shop.
In him, however, the family mentality had veered away from practical affairs to pure scholarship; so that he had been a notable student of mathematics, astronomy, biology, anthropology, and folklore at the University of Vermont. I had never previously heard of him, and he did not give many autobiographical details in his communications; but from the first I saw he was a man of character, education, and intelligence, albeit a recluse with very little worldly sophistication.
– The Whisperer in Darkness
Lovecraft was a prodigious letter-writer, sending more than 100,000 over the course of his life. No wonder, then, that his protagonists did likewise – Wilmarth in The Whisperer in Darkness and Thurston in The Call of Cthulhu are the two most obvious examples.
Night’s Black Agents introduces a new general ability called Network, which lets you whistle up contacts and allies as needed; you can pull out your burner phone and call up that Iranian arms dealer who owes you a favour, or have an agent in place inside the Smithsonian. In Trail of Cthulhu, with its slower pace of communication and emphasis on creeping horror, Network becomes Correspondence.
You buy Correspondence like any other General Ability; possessing even a point of Correspondence means you’ve got a wide circle of friends and colleagues that you regularly correspond with through letter, telegram, and even the occasional phone call or in-person meeting. You don’t need to specify who these friends are until you call on them in the game.
At any point, you may allocate a point of Correspondence to create a new NPC Correspondent. Each point you spend gives that NPC two points to spend on any Investigative abilities. Note the NPCs’ name and abilities down on your character sheet. Points used to create an NPC stay allocated to that NPC forever – they don’t refresh at the end of the adventure. If you want to keep your Correspondence pool topped up, you’ll need to spend experience points on it.
The NPCs you create are, by default, in some distant city. They’re not around to help you directly, but you can write to them and ask them for their advice (in other words, you can spend their Investigative Abilities to get benefits, but you’ll need to wait some time for their reply to come back).
For example, Willoughby Boothroyd just discovered a curious idol in a cellar, but lacks the Anthropology needed to understand its significance. His player permanently spends two points of Correspondents and declares that Boothroyd’s cousin Cecil is a noted archaeologist and ethnographer. Those two points of Correspondents translate to four investigative ability points for Cecil; he’s now got Anthropology 3 and Archaeology 1. Boothroyd’s player notes ‘Cousin Cecil: Anthropology 3, Archaeology 1’ down as a contact. Boothroyd stuffs the idol into a packing crate and sends it off to Cecil. A few days later, he receives Cecil’s report on the idol, which contain the clues obtainable with a 2-point Anthropology spend.
Your correspondents can be assumed to be trustworthy, reliable people – they might not share your belief in the supernatural, but they won’t dismiss your requests for information out of hand. At the very least, they’ll humour you; more likely, they’ll be drawn into the mystery of the Mythos themselves.
Correspondents & Core Clues
A beneficent Keeper – if such a thing were not a contradiction in terms – might allow a player to get a Core Clue from an ability she doesn’t possess, but one of her Correspondents does.
Martha doesn’t have Physics, but an old friend of hers is now a professor of physics at Cambridge. The symbols scrawled in the witch’s cottage remind her of some diagrams he once showed to her – something about folds in space and time? Perhaps she should contact her old friend and see if he can shed light on the mystery.
In addition to creating contacts with the ability, you may also spend Correspondence points for some extra benefits:
- Spend 1 point to get a reply to a request as fast as is humanly possible (by telegraph, telephone, or return of post).
- Spend 2 points (or 1 point of Correspondence and 1 point from an Interpersonal Ability like Credit Rating or Flattery) to have your Correspondent come to visit you in person and put their skills at your disposal.
- If you’re about to die horribly, you can spend 1 point of Correspondence to retroactively declare that you send a copy of your notes, or your diary, or some other documentation to one of your Correspondents before you went on this last investigation. Your Correspondent becomes your next player character, and starts with a point of Cthulhu Mythos thanks to your final revelation.
Correspondence points spent for benefits refresh at the end of the adventure.
This being Trail of Cthulhu, your Correspondents are going to delve into matters that man was not meant to know and die horribly. If the Keeper eliminates one of your existing Correspondents as a plot hook, then the Correspondence points used to create that NPC are refunded. On the other hand, if you get one of your Correspondents killed (either by bringing them directly into the adventure, or inadvertently sending them a radioactive idol like poor cousin Cecil), then the points are lost permanently, and you lose at least one point of Stability to boot.
Trail of Cthulhu is an award-winning horror roleplaying game set in the 1930s, produced under license from Chaosium. Whether you’re playing in two-fisted Pulp mode or sanity-shredding Purist mode, its GUMSHOE system is finely tuned to investigative adventures where the challenge is in interpreting clues, not finding them. Pick up Trail of Cthulhu and its many supplements and adventures in the Pelgrane Shop.